{"id":12438,"date":"2017-01-13T01:24:47","date_gmt":"2017-01-13T00:24:47","guid":{"rendered":"http:\/\/manipogo.de\/?p=12438"},"modified":"2017-01-03T18:25:04","modified_gmt":"2017-01-03T17:25:04","slug":"der-sound","status":"publish","type":"post","link":"https:\/\/manipogo.de\/?p=12438","title":{"rendered":"Der Sound"},"content":{"rendered":"<p>Als ich wieder Krishnamurti \u00fcbersetzte, h\u00f6rte ich ihn. Das war sein unverwechselbarer \u00bbSound\u00ab, sein Stil, sein Rhythmus. Alle Dichter haben ihn, und wir alle sind besonders: Jeder schwingt mit seiner individuellen Frequenz, jeder hat eine Art zu sprechen, seine Art, sich zu bewegen. Das ist schon ein Wunder.<!--more--><\/p>\n<p>Ernst-Joachim Berendt hat in <em>Nada Brahma<\/em> dar\u00fcber geschrieben. Der Klang ist f\u00fcr ihn m\u00e4nnlich, der Sound weiblich. Wer Musik liebt, wer musikalisch ist, h\u00f6rt beides. Mir kommen manchmal S\u00e4tze in den Sinn, Fragmente von Dichtung, und das ist der unverwechselbare Schwung in den S\u00e4tzen von Poeten. Das ber\u00fchmteste Gedicht von Eugenio Montale, <em>Dora Marcus<\/em>, f\u00e4ngt so an:<\/p>\n<p><em>Fu dove il ponte di legno<br \/>\nmette a Porto Corsini sul mare alto<br \/>\ne rari uomini, quasi immoti, affondano<br \/>\ne salpano le reti. <\/em><em>Con un segno<br \/>\ndella tua mano additavi all\u2019altra sponda<br \/>\ninvisibile la tua patria vera.<\/em><\/p>\n<div id=\"attachment_12439\" style=\"width: 550px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/manipogo.de\/wp-content\/uploads\/DSCN0284-1.jpg\" rel=\"attachment wp-att-12439\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-12439\" class=\"size-full wp-image-12439\" src=\"https:\/\/manipogo.de\/wp-content\/uploads\/DSCN0284-1.jpg\" alt=\"Da war fr\u00fcher die ponte di legno, die Holzbr\u00fccke, die bei Ravenna in Montales Gedicht aufs Meer hinausschaut\" width=\"540\" height=\"252\" srcset=\"https:\/\/manipogo.de\/wp-content\/uploads\/DSCN0284-1.jpg 540w, https:\/\/manipogo.de\/wp-content\/uploads\/DSCN0284-1-300x140.jpg 300w\" sizes=\"auto, (max-width: 540px) 100vw, 540px\" \/><\/a><p id=\"caption-attachment-12439\" class=\"wp-caption-text\">Da war fr\u00fcher die <em>ponte di legno<\/em>, die Holzbr\u00fccke, die bei Ravenna in Montales Gedicht aufs Meer hinausschaut<\/p><\/div>\n<p>Eines seiner Motetti beginnt so:<\/p>\n<p><em>Molti anni, e uno pi\u00f9 dura sopra il lago<br \/>\nstraniero su cui ardono i tramonti.<br \/>\nPoi scendesti dai monti a riportarmi<br \/>\nSan Giorgio e il drago. <\/em><\/p>\n<p>Wer es h\u00f6ren kann, h\u00f6rt den Montale-Sound. K\u00fcrzlich las ich in der poetischen isl\u00e4ndischen <em>Edda<\/em> aus dem 12. Jahrhundert, und da h\u00f6rte ich einen Rhythmus, der mich gleich gefangennahm. <em>Hovamol<\/em> besteht aus 165 Teilen, die meist Vierzeiler sind, aber manchmal auch f\u00fcnf oder sechs Zeilen umfassen.<\/p>\n<p><a href=\"https:\/\/manipogo.de\/wp-content\/uploads\/029-2.jpg\" rel=\"attachment wp-att-12444\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-12444\" src=\"https:\/\/manipogo.de\/wp-content\/uploads\/029-2.jpg\" alt=\"029\" width=\"540\" height=\"405\" srcset=\"https:\/\/manipogo.de\/wp-content\/uploads\/029-2.jpg 540w, https:\/\/manipogo.de\/wp-content\/uploads\/029-2-300x225.jpg 300w\" sizes=\"auto, (max-width: 540px) 100vw, 540px\" \/><\/a><\/p>\n<p><em>Fire he needs | who with frozen knees<br \/>\nHas come from the cold without;<br \/>\nFood and clothes | must the farer have,<br \/>\nThe man from the mountains come.<\/em><\/p>\n<p><em>Water and towels | and welcoming speech<br \/>\nShould he find who comes, to the feast;<br \/>\nIf renown he would get, | and again be greeted,<br \/>\nWisely and well must he act.<\/em><\/p>\n<p><em>Wits must he have | who wanders wide,<br \/>\nBut all is easy at home;<br \/>\nAt the witless man | the wise shall wink<br \/>\nWhen among such men he sits.<\/em><\/p>\n<p>Man m\u00f6chte es nachbilden:<\/p>\n<p><em>H\u00f6ren kann man \/ den Sound und den Klang<br \/>\naus dem, was eine Stimme uns spricht,<br \/>\ndie Farbe im Wort, \/ den Rhythmus im Sang,<br \/>\nund Mann und Frau werden Gedicht.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Als ich wieder Krishnamurti \u00fcbersetzte, h\u00f6rte ich ihn. Das war sein unverwechselbarer \u00bbSound\u00ab, sein Stil, sein Rhythmus. Alle Dichter haben ihn, und wir alle sind besonders: Jeder schwingt mit seiner individuellen Frequenz, jeder hat eine Art zu sprechen, seine Art, sich zu bewegen. Das ist schon ein Wunder.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1224],"tags":[1312,1311],"class_list":["post-12438","post","type-post","status-publish","format-standard","hentry","category-literatur","tag-klang","tag-sound"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Der Sound - manipogo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/manipogo.de\/?p=12438\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Der Sound - manipogo\" \/>\n<meta property=\"og:description\" content=\"Als ich wieder Krishnamurti \u00fcbersetzte, h\u00f6rte ich ihn. 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