{"id":18749,"date":"2020-07-26T00:11:14","date_gmt":"2020-07-25T22:11:14","guid":{"rendered":"http:\/\/manipogo.de\/?p=18749"},"modified":"2020-07-16T22:32:53","modified_gmt":"2020-07-16T20:32:53","slug":"weite-fluchten","status":"publish","type":"post","link":"https:\/\/manipogo.de\/?p=18749","title":{"rendered":"Weite Fluchten"},"content":{"rendered":"

Die Bilder der gro\u00dfen Regisseure lassen einen nicht los \u2014 die Landschaften im Nebel und die \u00f6den Grenzposten bei Theo Angelopoulos, die riesigen R\u00e4ume und stets unter Wasser stehenden Zimmerfluchten bei Andrej Tarkowski, in denen es st\u00e4ndig gluckst und blubbert. Immer wollten sie Bilder zeigen, die man nicht vergessen w\u00fcrde und in denen der Mensch von seiner existenziellen Leere umgeben ist, in seiner conditio humana<\/em>. Ich habe solche Bilder in meinem Archiv gesucht, um eine bestimmte Stimmung zu erzeugen.<\/p>\n

Wir haben ja ein paar Monate lang leere Weltst\u00e4dte erlebt und viele andere leeren St\u00e4tten dazu. Doch das hatte keine Aussagekraft, es war nur eine Ironie der Geschichte, es war eine repressive Leere wie die gigantischen Pl\u00e4tze faschistischer Diktaturen; man musste sich immer die Menschen dazudenken, die in ihre Wohnungen gesperrt waren. Im Film dienen die Bilder der Geschichte und schaffen die Atmosph\u00e4re, in der das Werk lebt.<\/p>\n

 <\/p>\n

\"Auschwitz-Birkenau\"<\/a>

Auschwitz-Birkenau<\/p><\/div>\n

\"N\u00fcrnberg,<\/a>

N\u00fcrnberg, Reichsparteitagsgel\u00e4nde<\/p><\/div>\n

\"DDR-Funkhaus,<\/a>

DDR-Funkhaus, Berlin<\/p><\/div>\n

\"DDR-Funkhaus<\/a>

DDR-Funkhaus (2)<\/p><\/div>\n

\"Krypta<\/a>

Krypta einer etruskischen Kirche<\/p><\/div>\n

\"Kloster<\/a>

Kloster Wessobrunn<\/p><\/div>\n

\"Santa<\/a>

Santa Marinella<\/p><\/div>\n

\"Wohnung<\/a>

Wohnung in Rom<\/p><\/div>\n

\"Haus<\/a>

Haus in Neufchatel<\/p><\/div>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Die Bilder der gro\u00dfen Regisseure lassen einen nicht los \u2014 die Landschaften im Nebel und die \u00f6den Grenzposten bei Theo Angelopoulos, die riesigen R\u00e4ume und stets unter Wasser stehenden Zimmerfluchten bei Andrej Tarkowski, in denen es st\u00e4ndig gluckst und blubbert. Immer wollten sie Bilder zeigen, die man nicht vergessen w\u00fcrde und in denen der Mensch […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1239],"tags":[67,1801],"class_list":["post-18749","post","type-post","status-publish","format-standard","hentry","category-film","tag-film","tag-raeume"],"yoast_head":"\nWeite Fluchten - manipogo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/manipogo.de\/?p=18749\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Weite Fluchten - manipogo\" \/>\n<meta property=\"og:description\" content=\"Die Bilder der gro\u00dfen Regisseure lassen einen nicht los \u2014 die Landschaften im Nebel und die \u00f6den Grenzposten bei Theo Angelopoulos, die riesigen R\u00e4ume und stets unter Wasser stehenden Zimmerfluchten bei Andrej Tarkowski, in denen es st\u00e4ndig gluckst und blubbert. Immer wollten sie Bilder zeigen, die man nicht vergessen w\u00fcrde und in denen der Mensch […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/manipogo.de\/?p=18749\" \/>\n<meta property=\"og:site_name\" content=\"manipogo\" \/>\n<meta property=\"article:published_time\" content=\"2020-07-25T22:11:14+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/manipogo.de\/wp-content\/uploads\/087-1.jpg\" \/>\n<meta name=\"author\" content=\"web108\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"web108\" \/>\n\t<meta name=\"twitter:label2\" content=\"Gesch\u00e4tzte Lesezeit\" \/>\n\t<meta name=\"twitter:data2\" content=\"1\u00a0Minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/manipogo.de\\\/?p=18749#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/manipogo.de\\\/?p=18749\"},\"author\":{\"name\":\"web108\",\"@id\":\"https:\\\/\\\/manipogo.de\\\/#\\\/schema\\\/person\\\/991913de0e39267877f234553fd7f58d\"},\"headline\":\"Weite Fluchten\",\"datePublished\":\"2020-07-25T22:11:14+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/manipogo.de\\\/?p=18749\"},\"wordCount\":246,\"image\":{\"@id\":\"https:\\\/\\\/manipogo.de\\\/?p=18749#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/manipogo.de\\\/wp-content\\\/uploads\\\/087-1.jpg\",\"keywords\":[\"Film\",\"R\u00e4ume\"],\"articleSection\":[\"Film\"],\"inLanguage\":\"de\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/manipogo.de\\\/?p=18749\",\"url\":\"https:\\\/\\\/manipogo.de\\\/?p=18749\",\"name\":\"Weite Fluchten - manipogo\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/manipogo.de\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/manipogo.de\\\/?p=18749#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/manipogo.de\\\/?p=18749#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/manipogo.de\\\/wp-content\\\/uploads\\\/087-1.jpg\",\"datePublished\":\"2020-07-25T22:11:14+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/manipogo.de\\\/#\\\/schema\\\/person\\\/991913de0e39267877f234553fd7f58d\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/manipogo.de\\\/?p=18749#breadcrumb\"},\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/manipogo.de\\\/?p=18749\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/manipogo.de\\\/?p=18749#primaryimage\",\"url\":\"http:\\\/\\\/manipogo.de\\\/wp-content\\\/uploads\\\/087-1.jpg\",\"contentUrl\":\"http:\\\/\\\/manipogo.de\\\/wp-content\\\/uploads\\\/087-1.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/manipogo.de\\\/?p=18749#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Startseite\",\"item\":\"https:\\\/\\\/manipogo.de\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Weite Fluchten\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/manipogo.de\\\/#website\",\"url\":\"https:\\\/\\\/manipogo.de\\\/\",\"name\":\"manipogo\",\"description\":\"Gott und die Welt\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/manipogo.de\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"de\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/manipogo.de\\\/#\\\/schema\\\/person\\\/991913de0e39267877f234553fd7f58d\",\"name\":\"web108\",\"url\":\"https:\\\/\\\/manipogo.de\\\/?author=1\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Weite Fluchten - manipogo","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/manipogo.de\/?p=18749","og_locale":"de_DE","og_type":"article","og_title":"Weite Fluchten - manipogo","og_description":"Die Bilder der gro\u00dfen Regisseure lassen einen nicht los \u2014 die Landschaften im Nebel und die \u00f6den Grenzposten bei Theo Angelopoulos, die riesigen R\u00e4ume und stets unter Wasser stehenden Zimmerfluchten bei Andrej Tarkowski, in denen es st\u00e4ndig gluckst und blubbert. 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